Archive for the ‘Interiors’ Category

Tuesday, January 17th, 2012

Amsterdam’s Hotel the Exchange

The convergence of fashion and design is no new story, although it tends to be the purview of Italian houses (Armani, Missoni, and Bulgari, for example), with the Americans (Calvin Klein and Ralph Lauren) a close second. So bully that the Dutch are staking a claim to the scene. Otto Nan and Suzanne Oxenaar, the duo behind Amsterdam’s Hotel the Exchange, call their third foray into the hospitality business a “fashion hotel.” But this effort—located in the Damrak section of the city, and accompanied by a restaurant (Stock) and contemporary-design shop (Options!)—is a showplace for both established and nascent Dutch design. The Hotel features 61 one- to five-star rooms “dressed” as if they were catwalks models, with inspiration coming from sources as divergent as denim jackets, Marie Antoinette’s panniers, wallflowers, and Frida Khalo’s wardrobe. One-of-a-kind textiles are used throughout, a result of a partnership Nan and Oxenaar forged with eight students and alumni of Amsterdam Fashion Institute (AMFI), who in turn worked with local studio Ina Matt in cooperation with the Dutch Textile Museum (Textielmuseum) to create these fabrics.

The rooms themselves feature a treasure-trove of pieces by a who’s who of the contemporary-design scene, from Ed Annink and Claudy Jongstra to Ineke Hans and Konstantin Grcic. The hotel also worked with Royal Mosa to create two custom lines of tiles used throughout. Dutch architectural firm Onswerk oversaw the combining of the hotel’s three buildings, adding transparent panels to allow hotel visitors to peer between floors and retail and restaurant spaces. (All photos by Mirjam Bleeker.)







The Options! gift shop

Tuesday, December 13th, 2011

Parchment Table by Kenneth Cobonpue

The gently undulating pages of an old manuscript inspired the top of this dining room table, which was created by Kenneth Cobonpue, a Filipino designer known for his use of natural fibers and materials. Fine layers of walnut are naturally warped and then stacked to create the surface; rather than being compressed, the layers are allowed to breathe, which creates an airy, sculptural profile from the sides. Brushed stainless-steel u-shaped legs complete the look. Yet despite its durability—and the thought that, What’s the worse that could happen if we put it outside? The wood warps some more?—the Parchment table is strictly meant for indoor use.

A detail of the Parchment table’s warped walnut layers

Wednesday, October 5th, 2011

There’s a New Marketplace in Town

Look out 1st Dibs and One Kings Lane, because another online market, Dering Hall, has just launched, making high-end custom furniture that was formerly only available to the trade accessible to the general public. The site offers permanent online storefronts for architects, interior designers, dealers, and “artisans” to display small selections of their products. Additional content includes Q&As with designers, and guides on decorating (current offerings include lighting strategies and what to look for when purchasing a sofa). For those impatient types who don’t want to wait the typical 6-plus weeks for custom pieces, Dering Hall offers an “available now” search option, so you can satisfy your need for a demilune table or Dunes and Duchess lamp in record time.

Tuesday, September 27th, 2011

Discovering New Things in an Old Town

If you appreciate modern furniture and stunning scenery, a trip to Hudson, New York, is highly recommended. A thriving port city in the early 1800s, Hudson fell into decline for most of the 20th century, but has experienced a revival through antiques. Running through the center of town, Warren Street’s stately old townhouses and former warehouses now host shops whose wares range from Louis XIV to Poul Kjaerholm and Paul McCobb (with a healthy handful of rustic Americana and salvaged industrial objects too). On a recent trip I wandered into Ad Lib Antiques, drawn by the display of chandeliers and pendant lamps. I inquired about a particularly spiky fixture made of metal, and discovered that the charming older gentleman behind the desk, Lou Blasingame, was not only the proprietor (he owns the shop with partner Don Friday), but was also the designer of the piece, which he creates in his studio space behind the shop. Lou has been making metal sculptures for decades, and his signed artworks from the 70′s and 80′s can be found on auction sites, under the shortened name of Lou Blass (yes, he is related to that other designer, Bill).

Lou Blass Sculpture from 1972

Lou Blass "Supernova" from 2011

The “Supernova” chandelier that drew me in is created by Lou out of steel rods, some of which are accented with bronze at the tips. Each fixture is custom-made, and so can be done in a range of sizes (and other materials, for an upcharge). When asked about the inspiration behind Supernova, Lou said that one of his clients compared it to a sea urchin, and his personal moniker for the piece is “Ouch.”

Tuesday, April 19th, 2011

Product Placement 3.3: Milan 2011 Insights – April 27 at 6.30pm

We’re back from Milan, and before it all becomes a dream, we announce:

Product Placement 3.3: Milan 2011 Insights from a Designer, a Retailer, a Publicist, and a Journalist

This is going to be a little different than our other PPs, as clearly we can’t talk about one product for five minutes. Instead, you’ll get five minutes of trends, observations, and musings from four presenters with very different roles in and perspectives on the industry. The featured speakers:

Barry Richards, Principal and Studio Leader, Rockwell Group

Kari Woldum, Vice President, Merchandising at Design Within Reach

Kimberly Oliver, Associate Director, Camron PR

Julie Taraska, Senior Editor, Gilt Home and Contributor to Fast Company, Details, Wallpaper*, and Metropolis

All will be happening :
Wednesday, April 27, 6.30-8.30 (Presentations begin promptly at 7)
Rockwell Group
5 Union Square West
New York, NY 10003

Seating is limited, with RSVP mandatory for building security. To attend, please send an email with your name and the number in your party to thisisproductplacement@gmail.com.

See you there!

Saturday, February 12th, 2011

Hello there! PP Is Back With Three Live NY Events

Hi all -

After a hiatus which included, among other things, a marriage, a move, two new gigs, a major renovation, and a few super-long overseas trips, we’ve returned for your blogging and design pleasure. And we’re back with a bang: A series of three Product Placement events that will be hosted by the Rockwell Group in its New York office. The dates are Feb. 23, April 6, and May 11, and the themes will be lighting, tabletop, and color. Watch the blog or join our mailing list (thisisproductplacement@gmail.com) to stay abreast of the details. And send us your suggestions! Anyone with a good story to tell is game.

See you soon…Julie and Kimberly

Monday, March 29th, 2010

Roll & Hill, Jason Miller’s Contemporary Lighting Company for the U.S. Market

Miller's Modo Lights, one of the debut pieces for Roll & Hill.

Miller's Modo Lights, one of the debut pieces for Roll & Hill.

As a designer of contemporary furniture and lighting, Jason Miller has experienced the lack of opportunities for American talent firsthand. So he’s done something about it. Last week he officially unveiled the first collection for Roll & Hill, his New York City-based company that manufactures high-end contemporary lighting products for, as he puts it, the underserved U.S. market. The first batch of pieces—from such homegrown designers as Miller, Lindsay Adams Adelman, Paul Loebach, Rich Brilliant Willing, and Sara Cihat and Michael Miller—intend to appeal specifically to American consumers in their use of familiar cultural references and materials. Costing between $2,000 to $10,000, the fixtures are made on demand in Brooklyn with a lead time of two to three weeks (as opposed to the usual two to three months). And unlike most contract goods, the lights will be available to the public directly through the company’s web site, rather than through a third-party agent.

The Agnes Chandelier, by Lindsey Adams Adelman. The design is also available as a candelabra.

The Agnes Chandelier, by Lindsey Adams Adelman. The design is also available as a candelabra.

Paul Loebach's Himmeli pendant light. Chandelier and floor versions are also in the works.

Paul Loebach's Himmeli pendant light. Chandelier and floor versions are also in the works.

The Excel by Rich Brilliant Willing, available as a sconce, a table lamp, or a floor lamp (as shown here).

The Excel by Rich Brilliant Willing, available as a sconce, a table lamp, or a floor lamp (as shown here).

Miller's Superordinate Antler chandelier, which was the inspiration for forming Roll & Hill. The company has several new versions of the light, including as a sconce and in a fetching bright red.

Miller's Superordinate Antler chandelier, which was the inspiration for forming Roll & Hill. The company has several new versions of the light, including as a sconce and in a fetching bright red.

Monday, January 11th, 2010

Product Placement 2.1: Tile – Feb. 10, 6-8 p.m. at Nemo Tile

Bioessence porcelain planks from Nemo TileBioessence porcelain planks from Nemo Tile

Mark those calendars: Product Placement 2.1 will happen Feb. 10 from 6 – 8 p.m. at Nemo Tile Company, Inc., located at 48 East 21st Street in New York City. This installment—which we’re organizing in conjunction with Ceramic Tiles of Italy and Nemo—will focus on those fab porcelain and ceramic slabs, the designers who make them, and the processes and trends in the field. And if you’ve never thought about the artistic value of tile, prepare to be schooled.

The event will be free, with the presentation starting at 7 p.m.; networking and drinks will happen before and after. Beat the rush and RSVP, as this one is going to be especially crowded: thisisproductplacement@gmail.com.

Full details about the featured products soon!

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