Archive for August, 2009
Thursday, August 27th, 2009

Daytimer Watch by Will Alsop, Federico Grazzini for Alessi

picture-31Hey, architecture aficionados: Ever want to wear a small building on your wrist? Well, Alessi is giving you a chance this fall with the Daytimer OLED watch, whose faceted surface resembles the latest trends in architectural skins. And little surprise: The timepiece is co-designed by Will Alsop, known for his colorful avant-garde buildings (including the amazing Peckham library in South London, for those keeping score) and Italian architect/product developer Federico Grazzini. Function-wise the watch is also far from shabby, with a display six times brighter than ordinary digital models. To optimize battery life—and not annoy the hell out of you—the display stays off until you push a button on the side of the watch face. When that happens, one of nine different graphics appears for six second on the screen, immediately followed by the hour and minute, date, and day of the week. Oh, and that faceted surface? It’s made via double-injection molding, with the watch’s hard plastic core covered by a soft plastic outer case and band. The watch face is acrylic glass, and the caseback laminated in stainless steel to prevent static build-up. And in true Alsop and Alessi form, it’s available in a mini rainbow of hues: green, purple, red, and black.

Alessi's forthcoming Daytimer, purple version.

Alessi's forthcoming Daytimer, purple version.

Tuesday, August 18th, 2009

Atelier NL’s Crockery for Royal Tichelaar Makkum

Atelier NL's Crockery, made from six different local clays

Atelier NL's Crockery, made from six different local clays

Celebrating regional differences was the thought behind Atelier NL’s Crockery pottery service for Royal Tichelaar Makkum. Atelier NL’s Lonny van Ryswyck and Nadine Sterk began by digging up, shaping, and baking clay from six different locations through the Netherlands. The resulting series of plates and bowls comes in a half-dozen colors, from a light tan to a deep russet; each hue is determined by the chemical components of the area from which the clay was taken.
Atelier NL's Crockery in a single colorway

Atelier NL's Crockery in a single colorway


...and in a different one

...and in a different one

Friday, August 14th, 2009

6dot Braille Labeler, by a Consortium of MIT Students

6dot Braille Labeler

6dot Braille Labeler

The public has spoken: A portable Braille labeling device was selected as the winner in the U.S. People’s Choice category of the James Dyson Award. Designed by MIT students Adelaide Calbry-Muzyka, Josh Karges, Karina Pikhart, Maria Prus, Trevor Shannon, and Rachel Tatem, the 6dot Braille Labeler resolves the difficulties of the current error-prone Braille labeling systems, creating consistent, easily read characters. The designers also hope this new tool will encourage the sight-challenged to learn Braille at a young age, significantly reducing the high unemployment rate among that peer group. Although only in prototype, the product has already has already garnered serious interest from manufacturers and distributors.

Wednesday, August 12th, 2009

James Irvine, Konstantin Grcic for Muji Manufactured by Thonet

Konstantin Grcic's Steel Pipe desk in dark gray, with optional hanging drawers, and Steel Pipe chair for Muji Manufactured by Thonet.

Konstantin Grcic's Steel Pipe desk in dark gray, with optional hanging drawers, and Steel Pipe chair for Muji Manufactured by Thonet.

Hello, global spirit of collaboration! Not every day do you get an upstart Japanese brand pairing with a revered German company to issue a range of products by a British minimalist and German formalist. But design is a boundary-crossing thing. Witness James Irvine and Konstantin Grcic’s new lines of affordable wood and tubular steel furniture for Muji, a collection created in collaboration with Thonet.

James Irvine's Muji No. 14, aka the Beech Bentwoodchair by Muji Manufactured by Thonet.

James Irvine's Muji No. 14, aka the Beech Bentwood chair by Muji Manufactured by Thonet.

Thonet’s creative director, Irvine exploits the curved lines of the company’s original bentwood chair for his pieces in the line, dubbed Muji Manufactured by Thonet. His super-light Muji No. 14, made of beech and with a seat constructed of either wood or mesh, features a simple horizontal panel across the back. When placed next to its corresponding dining table, available in a four- and six-person size, the back panel merges with the tabletop, leaving only the elegant arc of the chair’s frame visible.
Irvine's Beech Bentwood chair and table.

Irvine's Beech Bentwood chair and table.


The second line, designed by Grcic, pays homage to Thonet’s tubular steel furniture, a style pioneered in the 1920s by Bauhaus designers like Marcel Breur. Grcic’s efforts include a chair with a plywood seat shell, a tubular steel desk with an MDF tabletop (available in three sizes and with optional suspended polypropylene drawers), and a low table (also in three sizes and with optional shallow suspended shelf).
Side view of Grcic's Steel Pipe chair and desk.

Side view of Grcic's Steel Pipe chair and desk.


As of this month, Muji Manufactured by Thonet is available in New York and London at Muji’s flagship stores. Prices range from $496 for the beech bentwood chair No. 14 to $676 for the Pipe Desk in dark gray. The collection was introduced at select Muji stores in Japan in December before becoming available in Germany and France in May.

Monday, August 3rd, 2009

Tjep. Table Piece for the 2009 Team Astana

Tjep. table piece

Tjep. table piece


Ah, the Tour de France. So much drama, especially with this year’s return of Lance Armstrong, who emerged phoenix-like from retirement. Armstrong had to settle for third place this time ’round, but the cycling group he was part of, Team Astana, came in first. To commemorate this victory, Dutch product and interior designer Frank Tjepkema—aka Tjep.—was commissioned to create 21 numbered and signed laser-cut table pieces that celebrated the team members. Each item was designed and produced within two weeks, then auctioned off at the Tour de France’s closing dinner. Benefits went to Armstrong’s Livestrong Foundation.