Archive for July, 2011
Thursday, July 28th, 2011

Helveticards by UD+M


Devotees of the Helvetica typeface, rejoice: Swiss branding firm UD+M has taken a break from developing coporate identities for SONY and Whole Foods to create a deck of cards with you and the short-sighted in mind. A striking alternative to the traditional options, the fully usable Helveticards feature bold graphics printed on premium-quality, high-gloss stock paper. No doubt Vignelli and Brunson would be happy to deal these babies, which you can purchase for $10 a set.

Monday, July 18th, 2011

Chalayan’s Airborne Fragrance and Rizzoli Monograph

Cher’s done it. Bono’s done it. So don’t take it as a sign of egoism if Hussein Chalayan, for simplicity’s sake, has rebranded himself as a one-name wonder. The avant-garde designer can do no wrong in our book, especially as his pieces are as much about process as they are about the final results. We’ll have two particular reasons to fete him in the coming months: On July 21 he’ll debut his first fragrance, Airborne, at London’s Dover Street Market, while on Sept. 6 Rizzoli will publish worldwide a monograph of his work.

Produced by Comme des Garcons, Airborne is a unisex scent with notes of neroli, lemon, bergamot, lentiscus, juniper berry, incense, musk, and cedarwood. Chalayan created some pretty gorgeous packaging for it that hints at a Mediterranean ideal with palm trees and houses nestled within a cliff; the inside flap of the box has a watercolor scene of an old-timey ship with sails skirting a harbor. Airborne—named after Chalayan’s 2007 fashion collection—will be stocked at all Chalayan boutiques around the globe by the end of July.

Need some context to Chalayan’s oeuvre? Then his eponymous book should do the trick. Edited by art and fashion expert Robert Violette, the comprehensive tome will cover Chalayan’s complete body of fashion and creative work—including his installations, videos, and photographs. Projects included range from a paper dress that can be folded into an envelope and airmailed, and a coffee table that reveals itself to be a wooden skirt.

Rizzoli's forthcoming Hussein Chalayan book

Monday, July 11th, 2011

Ronen Kadushin’s Dicast Chair

You’d be forgiven for thinking we have a thing for endlessly impractical and ridiculously noncommercial chairs that blur the line between art, design, and thesis project, because we do! And if these Romantic, experimental ideas can’t get play anywhere, it would be a sad day indeed. Case in point: Ronen Kadushin‘s Dicast chair. First spotted on Designboom, the one-of-a-kind object is made from placing pieces of wood in a sandbox and letting molten aluminum flow them. The back and hind legs are created first, and then locked into place by casting the seat and front legs over them. The idea is to give up control of the production process and see what, err, flows. And the bulges at the bottom of the front legs? They were created when the sand sponged into the aluminum. (All photos: Baruch Ben Yitzhak)

Thursday, July 7th, 2011

Column Glasses by Sebastian Bergne

The filled and stacked Column glasses

I’m sure you’ve had the same problem: You’re touting around those flutes of champagne on a tray at your soiree and, bam!, over they tumble. Quelle horreur! Fortunately, though, Sebastian Bergne has come up with an ingenious solution. The London- and Bologna-based designer has created these handmade borosilicate Column glasses to stacked one on top of each other when both empty and full, saving on space and reducing spillage. They’re good for other liquids, too, in case the Moët is running low. Solid in pairs and available at his online shop.

The uncoupled glasses

Wednesday, July 6th, 2011

Omer Arbel’s Sandcasted 19 Platters

For a while now we’ve meant to post this video depicting the making of these platters, which Canadian designer/Bocci creative director Arbel previewed for us at Product Placement 3.2. In short, the 19 is an exploration of sand-casting techniques, whereby a shape is pressed into sand to create a void; molten metal is then roughly poured into the void. The process creates some overspill which, in conventional circumstances, is then cleaned up post-production and the piece refinished. But not here, where the overspill is left to add a coarse, lava-like texture around the polished brass. These one-of-a-kind platters are exquisite. But don’t take our word for it: Watch the film and judge for yourself.