Archive for November, 2011
Wednesday, November 16th, 2011

Product Placement 4.3: Texture in Design, Tuesday, Nov. 29

Have we saved the best Product Placement for last? I don’t know: It’s kind of like asking which of your kids you like the best. Or which trousers you’d save first if your apartment caught on fire. (Finding a pair that fit well? That’s no picnic for women, I tell you.) But fear not. You don’t have to choose, you just need to attend. So join Kimberly and me at the final Product Placement of the fall 2011 season:

Product Placement 4.3: Texture in Design

Featuring presentations by:

• Educator and industrial designer Rama Chorpash, who shapes minds as the Director of Product Design at Parsons The New School

Ross Menuez, the quicksilver talent behind the downtown-cool fashion label Salvor Projects

Stanley Ruiz, he of the quietly beautiful furniture and objects that fluidly meld art and technology

• Jewelry and product designer Alissia Melka-Teichroew (by:AMT), whose mischievous pieces delight the senses and the mind

Tuesday, Nov. 29, 6.30-8.30pm (Presentations begin promptly at 7pm)
Rockwell Group

5 Union Square West – 8th Floor

New York, NY 10003

The event is free but space is limited. Please RSVP with your name and number in your party to thisisproductplacement@gmail.com (Due to demand, only those who receive a confirmation will be able to attend.)

Looking forward to seeing you there!

Sunday, November 13th, 2011

Menorah by Brad Ascalon

Brad Ascalon's Menorah follows a family tradition

As a lapsed Catholic who married a Jew, I am learning the ways of the Menorah. However, as a fan of contemporary design, I have a problem. The Menorah we have—a wedding gift—is anything but my style: It’s a glass oval decorated in a rainbow of colorful squiggles. Kinda like a fiesta on the table. Fortunately Menorahs have been hot n the design world for the past few years, with heavy-hitters like Frank Gehry and Daniel Libeskind to Karim Rashid and Jonathan Adler taking a go. But Brad Ascalon‘s version for retailer Design Within Reach is less pomp, more circumstance. Crafted out of solid Carrara marble, the piece features eight facets corresponding to the eight days of Chanukah, with the left and right diagonals creating an 18 degree angle: a number that, in Judaism, symbolizes chai, or life. Designing Menorahs is somewhat of a family affair for the New York-based Ascalon, whose grandfather and father created metal and large-scale ones for clients and synagogues around North America. A kosher design meant for the table, the younger Ascalon’s Menorah—his first—is smaller in size. It has eight candleholders arranged in a straight line on one level, and one shamash (the candle used to light the others) slightly raised.

A side view of the Ascalon Menorah

The Menorah in action

Tuesday, November 1st, 2011

CMMNWLTH’s Seltanica Pendant Light

As a sneak peek of next week’s Product Placement, we present Seltanica. The undulating folds inside this LED pendant are inspired by landscapes, moonscape, and the fragility of aging skin, while the lamp’s outside is smooth and cool to the touch. Shaped via “Mudbox,” a modeling software normally used to create animal membranes for animation, the Seltanica’s interiors are as much a product of technological experiment as they are of classic craft. Indeed: The piece’s Brooklyn-based designers, Zoe Coombes and David Boira, produce these innards by hand using a wet machine. As such you could say they blur they line between industrial and organic design, just as their finished object is both strangely erotic and lifelessly mechanical.

The Seltanica's undulating interior folds

The first production run, with the fixtures fresh out of the molds