January 8th, 2010

DIY Design by/from Lindsey Adelman

you make it chandelier by lindsey adelman

In an industry where designers typically struggle to protect their work against unauthorized or low-cost reproductions, Lindsey Adelman has taken a bold step. The talented artist/designer recently relaunched her web presence, and there, among the hand-blown glass and custom metal ceiling fixtures that sell from $3,600 to over $20,000 (depending upon the number of globes desired), is the “you make it” chandelier. Adelman provides detailed drawings, step-by-step instructions, and a materials list complete with recommended sources so that fans of her work can make their own Adelman-designed piece. At least two have done so successfully, and one estimates the cost of materials at $120, plus their labor. Comments in the shelter blog world have been unanimously positive in response to Adelman’s generous gift to the DIY community, but we’re curious as to how other designers and design retailers, especially those whose product offering is readily “knockoffable”, will react to this foray into open source product design. From the Product Placement perspective, it is an illuminating insight into Adelman’s approach to design, but we do wonder if it may lessen the perceived value of her custom work. In other words, this artful experiment may not serve her long-term business well.

January 7th, 2010

Ribbon Light by Eric Chan for TBT

A bevy of Ribbon lights.

A bevy of Ribbon lights.

The first domestic lamp to incorporate Cold Cathode Fluorescent Lighting technology, hitherto used to backlight flat-screen TVs, the Ribbon is a technological marvel wrapped up in an unassuming plastic package. boasts bulbs that can last for 15,000 hours—twice as long as CFLs and 15 times puny incandescents. The Ribbon’s light can be dimmed without flickering (a hazard of LEDs) and its color adjusted to any custom mixture of warm and cool. The lamp’s bendable, elbow-like arm also means its can do triple duty as a task, ambient, and night light. And all for about half the price of a comparable LED model.

October 15th, 2009

Tuohi Trays by Tapio Anttila

picture-24Tuohi is the Finnish word for birch bark. So no surprise that’s the material Finn Tapio Anttila used for the Tuohi trays, which are manufactured using a hot pressing technique that evens out the bark’s surface irregularities, but still preserves each piece’s unique color and pattern. With birch, you can either use its white-based side or brown reverse; the trays are available in each. Interesting also that the bark can only be removed from the birch trunk around midsummer, so the exact annual demand must be known then and planned for ahead of time. Available at Showroom Finland. picture-271

October 14th, 2009

Wyly Theatre by OMA and REX, Winspear Opera House by Fosters + Partners

The new Wyly Theatre.

The new Wyly Theatre.

Oh Dallas, you have so much to answer for, between the assassination of J.F.K. and those hotpants-clad Cowboys cheerleaders. But the Texas city is making amends with the AT+T Performing Arts Center, a 10-acre, four-venue facility that’s the largest cultural institute to be built in the U.S. in 50 years. The initial two components, with a connecting urban park, opened Tuesday. The 575-seat Wyly Theatre, designed by OMA and REX, is a stage manager’s dream, featuring a fly system that can retract the balconies, proscenium, and floor; rotate or remove the orchestra seating, and even open part of the transparent exterior curtain wall. The idea was to “eliminate the distinction between stage and auditorium”—and in turn, performer and audience—says REX principal Joshua Prince-Ramus. Similarly, the desire to break down the barriers between a traditional high art form and the public at large shaped Fosters + Partners’ Winspear Opera House. Passersby may picnic beneath the structure’s solar canopy, dine in its lobby-level restaurant and café, or attend a show in the 2,200-seat performance hall, which is enclosed by bright-red glass. Foster + Partners are also designing the Center’s Annette Strauss Artist Square, an outdoor venue that will open in 2010, while Skidmore, Owings & Merrill will complete the final piece, the City Performance Hall, in 2011.
Winspear Opera House - It's so new, we still have to use the rendering.

Winspear Opera House - It's so new, we still have to use the rendering.

October 13th, 2009

Fold Lamp by Ett La Benn

Fold comes in fetching neon orange or green.

Fold comes in fetching neon orange or green.

Sometimes you don’t need to reinvent the wheel. Such is the case with the Fold, a table lamp by Berlin-based duo ett la benn. Designed as background lighting for living spaces, it comprises a bent metal sheet with a colored OLED panel placed inside. OLEDs—or organic light-emitting diodes—are fantastically energy efficient and used on television screens, computer monitors, and the like, but can look cold and technical. This simple combination of color and materials humanizes the technology, showing how it can be integrated into domestic environments.
Fold in action.

Fold in action.

October 12th, 2009

Soft-Map Quilts by Emily Fischer

Soft Map quilt.

Soft Map quilt.

“Experiments in tactile wayfinding”: That’s what architect Emily Fischer calls her series of Soft-Maps, a series of blankets superimposed with hand-stitched maps of neighborhoods. According to Brooklyn Based, this idea for the textural take on cartography came to her about seven years ago, when her mother’s eyesight began failing. “All of my projects after that were about the other, [non-visual] senses,” she says. (Haptic Lab, the name of Fischer’s company, refers to the sense of touch, as well as the mechanism we employ to situate our bodies in space.) Soft-Maps began with a map of Detroit, where Fischer went to school; upon relocating to New York (for a stint working with Frank Gehry), she returned to the project, concentrating on the neighborhoods around her Brooklyn apartment. (She currently offers designs based on eight Brooklyn ‘hoods, with Manhattan ones to be added starting next month.) The cotton quilts come in three sizes—crib, twin, and queen—and two types. The first, which are mostly machine-stitched, include hand-embroidered bridges and up to five landmarks of your choosing, range from $300-$800 and take about a week to complete. The second—which are completely hand-made and bespoke, with you choosing the place, border, design, and thread color—are $600-$3,200, with a waiting time of 4-5 weeks.
Soft map quilt by Emily Fischer

Soft map quilt by Emily Fischer.


Soft Map (detail).

Soft Map (detail).

September 29th, 2009

Palindrome Furniture Series by Peter Marigold for Moss

Mr Owl Ate My Metal Worm bookcase

Mr Owl Ate My Metal Worm bookcase, from Peter Marigold's Paindrome series.

A palindrome is a word or phrase that reads the same backwards or forwards. British artist/designer Peter Marigold’s Palindrome collection of furniture for New York design store Moss is that, with a twist: They are symmetrical pieces that are half mold and half cast, with the forms, textures, and details of one side mirrored on the other. To make the items, Marigold engages in a little production trickery. He first assembles the wood as a mold, with the composite casting material layered inside. Once the latter is set, he disassembles the wooden mold, turns it inside out, then reassembles it, using fasteners to join the two sides. The result is that the imperfections in the wood and rendered beautiful on the cast side: circular saw marks become symmetrical decorative swirls, knots become motifs, and holes become handles.
Prior to casting, the item’s wooden half is engraved with a word or phrase, which is repeated on the cast side in raised writing. Each of the collection’s eight pieces has its own palindromic name, save for the gun cabinet. Sadly, each item is a one-off.

Tattarrattat cabinet, part of Peter Marigold's Palindrome series.

Tattarrattat cabinet, part of Peter Marigold's Palindrome series.


Gun Cabinet with Marigolds, part of the Palindrome series.

Gun Cabinet with Marigolds, part of the Palindrome series.


Anna chair.

Anna chair.


Deed dining table.

Deed dining table.

September 17th, 2009

Plateau Lounge Chair by Erik Magnussen

Plateau lounge chair

Plateau lounge chair

Nowadays we all need a helping hand. Fortunately, Danish designer Erik Magnussen has heeded the call with the Plateau lounge chair, whose shape mimics that of his own left hand. The chair’s seat stands in for the palm; the back rest, for the fingers, and the raised right armrest—which also doubles as a surface for your laptop or drink—is his bent thumb. The 120cm-tall Plateau (which from some angles, also kinda looks like a Shmoo) comes covered in leather or textile, and is available in red, yellow, black, and orange. Its organic form has even prompted some upholstering innovations: The chair only requires two pieces of fabric covering—one for the seat and one for the backrest.
The Plateau, head-on

The Plateau, head-on